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The Mirror Thief book. Read reviews from the world's largest community for readers. The core story is set in Venice in the sixteenth century, when th.
Table of contents
- THE MIRROR THIEF by Martin Seay Read by Edoardo Ballerini | Audiobook Review | AudioFile Magazine
- The Mirror Thief by Martin Seay, Signed
- Martin Seay’s ‘The Mirror Thief’ as Explained by Martin Seay
- Secondary menu
- Book Summary
I will eagerly wait for it. Related Searches. A Man Lies Dreaming. Shomer, a View Product. The Devil in the Flesh. Hailed by Jean Cocteau as a masterpiece, and by the Guardian as Bret Easton Ellis's Less Than Zero, avant la lettre, this taut tale written by a teenager in the form of a frank confession is a gem of early A wickedly funny and satisfyingly highbrow black comedy about the collapse of Western academic institutions A wickedly funny and satisfyingly highbrow black comedy about the collapse of Western academic institutions under the weight of neoliberal economics and crushing, widespread idiocy.
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It was too rich for me to digest in a short sitting. I easily got lost in this book not in a bad way.
THE MIRROR THIEF by Martin Seay Read by Edoardo Ballerini | Audiobook Review | AudioFile Magazine
I was involved in the multiple stories this book relates. The language! Rich, foreign, new!
My kind of book. Thank you, Martin Seay! View all 8 comments. May 14, Greg rated it liked it.
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She uses her background in art history to inform him that the primary goal of art was to create precise representations of reality. This often meant tracing a camera obscura image.
The Mirror Thief by Martin Seay, Signed
Photography made this approach less important. Thus the modern era in art began by exploring how perception alters reality. As an art form, writing has always emphasized how characters respond to reality. Once they are in the world, they develop their own peculiar ideas.
Martin Seay’s ‘The Mirror Thief’ as Explained by Martin Seay
Stanley Glass obsesses over it because he thinks it reveals secrets about magic. That book is set in 16th Century Venice and tells of a plot to steal the technology behind the creation of mirrors. The protagonist, Vittor Crivano, is a physician and alchemist. The book's author, Adrian Welles, uses poetry and obscure references to magic to tell Crivano's story.
These seem important to Stanley and thus they drive him to cross the country to find Welles. The original Venice and two recreations focus on gambling and grifting during the Renaissance, the Beat era in California and contemporary Las Vegas.
In spite of its excessive length and tendency to drift into all forms of minutia, the plot is engaging. The evocations of its three settings and the use of interesting and nuanced characters make this novel a compulsive read. Seay manages to unify these three quite different stories under one motif—mirrors. The 16th Century Venetians believed mirrors had magical powers over the souls of men. Thus they were willing to risk their lives to own them.
In the end, Stanley realizes that the magic in Welles book may never have been there. Instead it may have been a reflection of his close reading of the book. Like modern art and mirrors, a difficult book reflects and distorts reality. He seems to embrace style at the expense of clarity. One has to struggle to understand obscure references that divert attention from the story. The narrative tends to meander for pages into obscure philosophizing.
Too many loose ends in the plot remain unresolved. One is left with a strong impression of having been conned by an expert. Jul 16, Chaya Nebel rated it did not like it. Very annoying pretentious habit of omitting quotation marks around dialogue, forcing the reader to stop at multiple spots to suss out if it's the narrator speaking or the character, or if the character is thinking or talking. Or which character is talking. Very annoying pretentious habit of coining compound words.
To wit: "artform," "creampuff," "lakebed," "cardcounters," "waterfountain," "groundsquirrels. Excruciating amount of minutiae dealing with setting. Des Very annoying pretentious habit of omitting quotation marks around dialogue, forcing the reader to stop at multiple spots to suss out if it's the narrator speaking or the character, or if the character is thinking or talking. Descriptions ad infinitum of costs of meals, every bite of food the character takes, and what he did for the next 20 minutes after the meal.
Descriptions of every sight the character sees on route to a destination. Viz: " Why do editors refuse to do their jobs anymore? Slogging through at page now. From other reviews I've read, I know not to expect a big reveal linking the 3 plot lines very closely. I'm not entirely sure I won't skim through the second half of the book to the end Dec 26, Hunter Beck rated it it was amazing.
You will think about it while you sleep. You will dream about it all day long. Most days I could not wait to get back to reading it.
This is a book that really consumes your thoughts, with its time bending journey, it keeps your mind spinning. Martin Seay tells this story with inexplicable greatness and resounding depth. A great debut novel. Anxious to see what more is to come. Martin Seay is in my opinion, one of the next greats. Man, what a book!
Something between a hard-boiled story and a kabbalistic treatise with a flavor of beatnik prose, this book is ultimately about wanting to penetrate deeper than the appearances of the world and gain control of it by gambling, poetry or alchemy - despite the overwhelming feeling of being at loss, of being watched, of being a part of process that you don't understand. The author sets each scene meticulously, describing fleeting details that immediately form a scene you Man, what a book!